Just a quick note to let you know that we will be a bit unreachable until August 22nd because…we’re going on a working holiday to Iceland! Technically, both of us are going to a conference (Exploring Canada: Exploits and Encounters hosted by the Nordic Association for Canadian Studies) then spending some time camping around the island. But when we aren’t doing that, we will be promoting antilang. abroad (hard-copies are packed and ready to be shared).
However, we have an announcement and an On Editing blog post scheduled to be released while we’re away, so it won’t be complete radio-silence on our end (Our Patrons on Patreon will have immediate access to these posts–another reason to consider donating). We won’t be responding to emails, but we will be documenting sightings of antilang. on our Instagram page (@antilangmag), so be sure to check it out!
For those of you interested in what we do when we aren’t vetting submissions or writing blog posts, here are brief descriptions of our conference papers:
Allie’s presentation is cryptically titled “North” and is an excerpt from her creative manuscript Best Before with a critical introduction informed by spatial theory. As expected, one character goes North. The others do not.
Jordan, on the other hand, has a very detailed title: “Becoming Lost: Exploring Absence Through the Guy Vanderhaeghe Fonds.” This paper explores archival absence through a Derridian lens, using a failed genetic criticism of Vanderhaeghe’s Ed stories (“Man Descending,” “Sam, Soren, and Ed,” and My Present Age) as a case study.
Calgary born and raised, Allie completed two BAs (English, with a creative writing concentration and honours; Law and Society with honours) at the University of Calgary. She left for colder climes to pursue a MFA in Writing at the University of Saskatchewan. Allie writes novel(la)s that explore female experiences in Western society (or futuristic dystopian societies). She favours prose, with excerpts from her manuscripts appearing in filling Station Magazine, Nōd Magazine, and forthcoming in In Medias Res. However, various sources have accused Allie of being a poet in disguise, and her poetry can be found in The Boston Accent, Hooligan Mag, and FOUND, the second chapbook by Malform Press.
During the last year of her BAs, Allie was the managing editor at Nōd Magazine (the undergraduate-run literary magazine on campus). She works odd jobs such as copy-editing a manuscript about the history of women’s prisons in Canada, researching environmentally inclined artistic endeavours in Vancouver, enforcing Chicago-style citations on legal papers for an upcoming collection, and teaching first-year creative writing.
Although Allie has no musical talent she often insists on singing while writing (her roommates go to class and are grateful to avoid Allie’s ‘metalicizing’ of country songs). When forced to interact with people, Allie will offer snacks in an attempt to trick unsuspecting persons into playing card games.
He dabbles in Marxist poetry, conceptual translational poetry, and short fiction.
Jordan Bolay hails from Northern Saskatchewan. He first migrated South (like an hour and a half South) to Saskatoon where he got first a BA and then an MA in English. He then moved to Calgary to pursue his PhD in English. He studies videogames, the ideology of canonization, comics, and (when he actually works on his dissertation) social politics in the archives of Western Canadian writers. While not working on his research (procrastinating), he dabbles in Marxist poetry, conceptual translational poetry, and short fiction. His chapbook how to make an English exam interesting was published by The Blasted Tree Press in 2017 and his long poem “Rest (an erasure of the Regina Manifesto, Cooperative Commonwealth Federation Programme, 1933)” was published in ti-TCR and was an honourable mention for The Capilano Review’s Translate and Transform Contest, also in 2017. (Jordan is working on making future titles more concise.)
During his MA he was the poetry editor of The Fieldstone Review at USask, and has been the fiction editor of filling Station (Canada’s experimental literary magazine) since 2016. In his spare time, Jordan enjoys hiking in the mountains surrounding Banff, homebrewing craft beer, and rocking out on his Geddy Lee signature jazz bass.