Jessica Mehta’s poem “Savagery” opens antilang. no. 2 and sets the bold, political, and powerful tone that many of our emergent contributors carry on throughout the issue. Read her other poem, “Orygun,” and the rest of the issue by clicking the excerpt below.Jessica Mehta is a multi-award-winning poet, storyteller, and author of 13 books. She’s a member of the Cherokee Nation and has been awarded numerous poet-in-residency positions around the world. Currently, she is a Halcyon Art Labs fellow and working on her PhD in Creative Writing at the University of Exeter. Her next poetry collection, Savagery, is forthcoming with Airlie Press in 2019.
Just a quick note to let you know that we will be a bit unreachable until August 22nd because…we’re going on a working holiday to Iceland! Technically, both of us are going to a conference (Exploring Canada: Exploits and Encounters hosted by the Nordic Association for Canadian Studies) then spending some time camping around the island. But when we aren’t doing that, we will be promoting antilang. abroad (hard-copies are packed and ready to be shared).
However, we have an announcement and an On Editing blog post scheduled to be released while we’re away, so it won’t be complete radio-silence on our end (Our Patrons on Patreon will have immediate access to these posts–another reason to consider donating). We won’t be responding to emails, but we will be documenting sightings of antilang. on our Instagram page (@antilangmag), so be sure to check it out!
For those of you interested in what we do when we aren’t vetting submissions or writing blog posts, here are brief descriptions of our conference papers:
Allie’s presentation is cryptically titled “North” and is an excerpt from her creative manuscript Best Before with a critical introduction informed by spatial theory. As expected, one character goes North. The others do not.
Jordan, on the other hand, has a very detailed title: “Becoming Lost: Exploring Absence Through the Guy Vanderhaeghe Fonds.” This paper explores archival absence through a Derridian lens, using a failed genetic criticism of Vanderhaeghe’s Ed stories (“Man Descending,” “Sam, Soren, and Ed,” and My Present Age) as a case study.