On Money and Vision: or, We Got a Grant!

Hello ALP supporters! This last month we successfully launched our annual print edition of antilang. (no. 2-3) in both Saskatoon and Calgary and at these launches we had the pleasure of announcing that we have received our first federal grant! In keeping with our policy of transparency, we wanted to let you know what this… Continue reading On Money and Vision: or, We Got a Grant!

Here’s the Plan: Themed Issue Previews

We don’t have time for new year, new me because we’re too busy with the new ALP! Over the course of an amazing year establishing antilang. and putting together our first three issues, we noticed contributors tend to gravitate toward certain themes and genres. So, to encourage good short writing in these areas while giving… Continue reading Here’s the Plan: Themed Issue Previews

New Work from 32 Contributors!

We're so excited to launch our latest issues of antilang. and soundbite! Check out some amazing short work from established and emerging writers across Canada and beyond. Read antilang. no. 3 and listen to soundbite vol. 2 and tell us what you think!

On Canadian Content: By the Artists

In our last post on CanCon, we talked a lot about numbers, requirements, and how to reach them; now we’d like to look more closely at what makes something “CanCon.” Canadian radio requirements follow the MAPL system—yes, as in “maple,” we aren’t joking and we couldn’t make this up—to determine if a song/band meets CanCon… Continue reading On Canadian Content: By the Artists

On Why You Hear “Yes” Before You Hear “No”

We all know how lit mags work: you send something in, and the longer you go without hearing anything, the longer they are taking to decide if they want your work (so, if you hear "no" just before the issue comes out, well, then at least you can take comfort knowing that your piece made… Continue reading On Why You Hear “Yes” Before You Hear “No”

On Canadian Content: By the Numbers

If you’ve ever listened to a Canadian radio station, you probably noticed an over-abundance of Bryan Adams, Celine Dion, and the ever-berated Nickelback. This is because most stations in Canada are required to play at least 40% Canadian content (or as we lovingly call it: CanCon), and there are similar rules for Canadian periodicals. If… Continue reading On Canadian Content: By the Numbers