ryan fitzpatrick is rounding out our soundbite previews, which means we’re just about ready to launch the collected volume! ryan has a second poem appearing in soundbite as well as two others in antilang., so get ready to hear and read a lot more from him.
ryan fitzpatrick lives and writes in Toronto. He is the author of two books of poetry: Fortified Castles (Talonbooks, 2014) and Fake Math (Snare, 2007).
Paul is a returning voice to The ALP, check out his poem “Orion” in our inaugural issue. Delight in this robot sex poem!
Paul Meunier is an English PhD student at the University of Calgary, studying experimental poetry. Paul also has a photography background, and he explores relationships between visual art, poetry, and subject representation.
Hello, we know we’ve been a bit quiet since our launch and opening for submissions, but that doesn’t mean we aren’t hard at work behind the scenes. It’s time to share with you something we’ve had in the works for a little while: we now have an Art Director!
Lissa McFarland has been involved with The ALP since it’s inception–starting with designing our first logo and the cover for antilang. no. 1. But she’s not just a visual artist–you can read her creative non-fiction prose poetry in antilang. no. 2 (pages 64-7) and listen to her read poetry in soundbite vol. 1 (9:02-10:16).
As Art Director, Lissa will be taking over our Instagram account (and if you follow her personal or artist pages, then you know her comments are amazing). In addition to this, she will be on the hunt for a Canadian artist for the cover of antilang. no. 3 and involved with layouts and designs for both publications as necessary. She might even write us a blog post or two about how she sees visual art fitting into our mandate of good. short. writing.
A proud member of Calgary’s queer community, Lissa will also be involved in helping us become better editors for submissions that deal with subject positions we do not have access to. We have always striven to be inclusive and to help facilitate a safe space for our contributors, but we know that sometimes when we recommend cutting a phrase or switching a word, those edits could have the effect of lessening the voices we want to give space to. In the past, our contributors have been understanding with us and have explained why certain edits are not productive for their pieces. We hope that by working with Lissa, we can become better so that our contributors don’t have to put themselves in positions they might find uncomfortable (we can’t ignore power dynamics, even though we are trying to eliminate them).
Zelda Baiano was, we’re proud to say, our very first fan–the first person who isn’t a personal friend or family member to really take notice and give us lots of virtual love on social media. So we’re equally proud to publish this emerging Canadian poet with “Unchained Melody” in soundbite (she also has another poem, “Intimacy,” on page 40 of antilang. no. 2).Zelda Baiano is currently studying English Literature and Language at Brock University in Southern Ontario. She has been previously published in two anthologies, The Night’s Voice, and Fresh Ink 2016.