On Putting Together Issue 2

If you’ve followed us since Issue 1, then you know that our inaugural issue was solicitation-only, and that we used that model to put established authors beside emerging writers. You already know we like work that b(l)ends genres and operates on multiple levels, according to varying types of readers. And putting together the first issue was relatively easy–we already knew so many amazing writers that we wanted to feature together.

So, what about issue 2? For the second issue (coming this September!) we opened for submissions from all over the world. We received some repeat submitters who appeared in Issue 1 (spoiler alert–they are also in issue 2), but this upcoming issue is not a repeat of what we’ve already done. We considered every submission and accepted it purely on the merit of the work, though as we did so, we made sure to push ourselves and our understandings of ‘merit.’ We read cover letters and when we were unsure of a piece, we considered it in light of what the cover letter said the piece was doing and the positionality of the author. This is important, because we are editors, but that does not mean we are infallible. We are also white and in a heterosexual relationship, and regardless of how much we strive to be allies, we are not subject to the same forms of oppression and marginalisation as many of the writers who submitted work to us are. We read your pieces, and we grew. And the magazine has also grown to encompass and support these voices.

If you have submitted work to us, then you know our policy is to help edit pieces–most of the work in our issues has received edits (though some comes to us in its best form). And in doing this editing, we opened our dialogue with our submitters. At times, we would suggest a change to be made (usually a line to be cut, because we are about concision), and the submitter would correct us, would point out the importance of including that line, even if it was, technically, a redundancy. Because although we (being university-educated as readers) could ascertain the message of a piece, the inclusion of that line opens the piece to people not as well-trained in reading. Thank you. To all our submitters who expressed concern that their pieces would not have the same, or as broad, resonance if they followed our edits, thank you. You have helped us become better editors, and we are grateful that you entrusted your work to us and had the courage to correct us. And we are so happy that so many writers–including those who corrected us–agreed with our edits. We believe every piece in Issue 2 is as strong as it can be, and that is what we strive for. Good. Short. Writing.

So, now that it’s edited, how do we put it together? Well, we start with a huge list of our submitters and their pieces on an excel spreadsheet. Then Allie writes it out by hand because she doesn’t understand technology and she highlights the names according to prose vs verse (ish–there are genre blurring pieces, so this is done by feel). We agree on a piece to start the issue–the tone we want to set. And from there we find the thematically linked pieces. For issue 2 this means the (loosely) place-based pieces. We start making lists of names with arrows to indicate different groupings of themes and which pieces flow together best and rearrange so that each grouping leads into the next intuitively. This process involves a lot of back and forth of names and titles and general confusion between the hand-written order and the master copy Jordan compiles on the computer. We found three main themes for this up coming issue: place, deconstruction of form, and intersectional feminism, with five ‘random’ pieces to round out the issue (there is a similarity to the ‘randomness,’ but we haven’t come up with the right adjective for it).

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Keep an eye open for our upcoming previews, because we’re going to start launching Issue 2 previews in the next few days!

Issue 2 Cover Art Contest

What does literary brevity look like? Show us!

Hey everyone, we’ve been vetting your writing for antilang. no. 2 and we’re blown away by your incredible words! Now we’re looking for an amazing piece of art that captures the essence of good short writing for the issue’s cover.

What does literary brevity look like? Show us! Maybe you’ll go for minimalism, perhaps pithy pointillism, or a more metaphorical approach. Look to our mandate for inspiration. Imply and implicate with your imagery.

Our favorite piece will be featured on the cover of antilang. no. 2 (fall 2018) and will appear in the next collected print edition (no. 2-3, expected early 2019), which the winning artist will of course receive a hard copy of. We hope to eventually pay our contributors via funds raised through Patreon and we will start by back-paying people featured in our early issues.

Click the button below for a direct link to our Submittable page. (Pro tip: it’s totally free to enter!) We can’t wait to see your work!
submit

On Cover Letters & Bios

Hello! As you know, antilang. is now open for submissions for issue 2. And, if you’ve clicked our submittable button, you’ll see that there’s a section for leaving a cover letter. But what does a cover letter for a literary magazine entail? If you’re just starting to send out your work, the cover letter and bio can be the worst part of submitting. Thoughts of “but I’m not that interesting,” “now they’ll know I’m an amateur,” and “I just like writing” leap into your mind, and leave you staring at a blank screen until you panic and abandon the whole endeavour. Right?

But we want to see your work! So we’ve created a helpful guide to get you started on your cover letter and bio.

  1. Don’t stress over the cover letter! We care about your work first.
  2. Begin your cover letter like you would a paper letter: a block in the top left corner with your name and contact info (mailing address, email address), then date and address the letter (“To the Editors” works for a generic letter, but you can personalise it with “To Allie & Jordan”)
  3. Begin with “Please consider my [word/page-count] story, [“title”]” OR “Please consider my poems [“title”], [“title”], [“title”]” OR “Please consider my short work of mixed genre, [“title”]” (you get the point–be polite, and identify your work).
  4. Follow this up with a quick explanation (about one-sentence) of how your piece is a good fit for us (this is not mandatory, but we hear other publishers like this, and it’s good practice indicate how your work fits with what a magazine likes to publish–it demonstrates that you have read the magazine)
  5. Bio (belongs in a separate paragraph and should be fittingly concise (~30 words). Clearly label it as your bio by starting: “Bio: [your bio here]”. Most bios include: your name; what you’re studying (if still in school); if you have any previous publications, then list the magazine names; any completed degrees. As we encourage anyone who feels comfortable to disclose any intersectional/minority identities, then you can include this alongside your name. Your bio can also contain your preferred genre of writing. Alternatively, we love clever anti-bios (example: “Allie pretends to write poetry” OR “Jordan studies the intersection of the housing market and avocado imports”). Check out the end of antilang. no. 1 to see a range of bios!
  6. End with “Thank you for your consideration, [your name]”

Now that you know how to do a cover letter, you’ll send us your work, right?

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(Fun fact: this anti-bio appeared in a chapbook of collected poetry by the advanced poetry class at the UofC in 2015)

You know you wanna click that button!

Do you love to click buttons? Of course you do, it’s half the reason any of us are on the internet! Well, we’ve got a fancy new button for you to click on our submission guidelines page, which will lead you to our Submittable page where you can click a plethora of new buttons.

And while you’re there, you might as well submit a piece of good short writing to be considered for issue no. 2. Oh yeah, did we forget to mention we’re now accepting general submissions for our next issue!? Click the links above or the button below, brush up on our guidelines (they’re newly revised) and send us your best in brevity.

We can’t wait to read your wonderful writing!

submit