We don’t have time for new year, new me because we’re too busy with the new ALP!
Over the course of an amazing year establishing antilang. and putting together our first three issues, we noticed contributors tend to gravitate toward certain themes and genres. So, to encourage good short writing in these areas while giving our issues more cohesion and nuance, we’ve decided that our next three issues (antilang. no. 4-6) will be themed. We’re hoping to invite guest editors to help out with each issue (we already have two on board for no. 4—stay tuned for the big reveal!) and lend broader and more diverse perspectives to our team.
“But what are the themes?” you ask. Without further adieu, here’s the plan:
A note on soundbite: our audio publication will be open for general submissions during the same windows as antilang. Contributors are welcome to send audio submissions that match antilang.’s themed issues but we’re happy to hear byte-sized readings on other topics as well.
Rosalind Goldsmith lives in Toronto and began writing short fiction several years ago. She has written radio plays for CBC and a play for the Blyth Theatre Festival. Her stories have appeared in the Quilliad, the Danforth Review, Flash Fiction, Thrice Fiction, Pop Shot UK, Litro UK, and filling Station.
Read the rest of our last antilang. no. 3 preview here (pages 69-72).
Frances Boyle’s books are Light-carved Passages (poetry) and Tower (a novella). Her poems and short stories have appeared in literary magazines ranging from long-established to brand new projects. Visit www.francesboyle.com.
Finish reading her poem “Beam” here (pages 16-17) and check out her other two poems, “Choler” and “Unrehearsed,” also in antilang. no. 3!
Christopher Brown is pursuing his PhD a city of magpies. In 2018, he was selected for the RBC Taylor Prize’s inaugural Emerging Writers program in non-fiction. His most recent work can be found in The Feathertale Review and The Lamp.
To read the rest of this resonantly millennial dating woes tale, click here (pages 10-11)
Tasnuva Hayden is an emerging Canadian writer of Bengali descent, residing in Calgary, Alberta. She studied creative writing, linguistics, and engineering at the University of Calgary. Her creative writing has appeared in NōD Magazine, J’aipur Journal, chapbooks, and anthologies. She is also the Fiction Editor at filling Station—Canada’s experimental literary magazine.
Lose yourself in the ethereal images in Tasnuva’s story, continued here (pages 59-61).
Emma Tilley has a BA in Creative Writing from Kwantlen Polytechnic University in Surrey, B.C. Her debut chapbook will be published by Rahlia’s Ghost Press in 2019. She has this epistolary story and a flash fiction in antilang. no. 3.
We have a confession– this piece made our editors cry the first time we read it. So, find some tissues and continue reading it here (pages 45-47)
Kitty Hardy writes from the solitude of Alberta’s boreal forest. This is her first fiction publication, though her poems have appeared in NōD Magazine and From the Other Side. Kitty also runs the fabulous Kitty’s Bohemian Boutique, an online store for upcycled clothing and accessories (check it out– there’s free shipping on now!)
If you’re in the mood for an upcycled fairy tale, then find the full story here (pages 55-58)!
Kilmeny MacMichael lives in the Okanagan Valley, where she writes flash and short fiction. She has been published online with The Ilanot Review, Watershed Review, Flash Fiction Magazine, and other publications.